How can poetry compete with error, in this economy of attention?
–Adam Robinson, from SAY, POEM
Say, Poem is divided into two sections– the first, Say, Poem, is a larger, sort of stream of consciousness patter-type poem constructed around a series of other poems/prose pieces. The second section, Say, Joke, is a series of smaller poems in the form of ironic, off-center jokes.
The patter-type poem in Say, Poem takes the form of a poet’s monologue at a poetry reading– both interior and exterior, it seems, as in Say, Thank you–/Thank you–/Then say,/I’m not reading a single line/until I know how much/this is going to get me.
It’s an interesting concept, and got me thinking about context regarding poetry– how differently we see it depending on presentation, as at poetry readings, or what we may have heard beforehand about the poem or the poet. For instance, our appreciation of this particular poem can’t not be affected when it’s presented to us this way: Read the rest of this entry »